No sewing, no drawing, no paint/First piece in one afternoon/Lifetime access/Instant access

Turn a Pile of Fabric Scraps Into Wall Art That Looks Like a Painting

No sewing, no drawing, and no paint. You tuck pieces of cloth into a soft foam board and a landscape appears, section by section. Finish your first framed 9" x 9" piece in one afternoon, even if you've never made art in your life.

(If you already have quilting cotton or fabric scraps at home, you're halfway there.)

No art background neededThe template does the drawing for you.
A small first project9 inches square. It sits on the table in front of you.
A technique you keepNew fabric, new piece, every time you sit down.

The finished piece looks intricate. The actual process is simple: follow a line, lay down a piece of fabric, tuck the edge away.

Kinusaiga materials including foam board, fabric, scissors, knife and seam ripper

Step 1

Follow the printed lines

Mount Hannah's template on a soft foam board and make shallow grooves where the printed lines tell you to. Nothing is drawn freehand.

Practicing the kinusaiga cut-and-tuck technique on a scrap board

Step 2

Lay down fabric and tuck

Place cloth over a section, trim it, then press the edge into the groove with the back of a couple-dollar seam ripper. The edge disappears.

Sunrise sky sections building up from striated batik fabric

Step 3

Watch the picture build

Section by section, the fabric pillows up like a tiny quilt until you're holding a finished piece of wall art. That's the whole technique.

Why it looks painted

It looks like a painting. It's cloth tucked into foam.

From across the room it looks like a painting. The sky has a gradient, the mountains recede into haze, the meadow looks like it runs back a mile. Walk up to it and the surface is quilted. Every color in the picture is a piece of cloth.

Side by side comparison showing the same kinusaiga landscape at a distance, where it reads as a painting, and up close, where the quilted fabric surface is visible

The painted look comes from the cloth itself. A batik already has the sunrise dyed into it, so one scrap of fabric does what a painter would need a loaded brush and a very steady hand to pull off. You pick fabric you like. The fabric does the rest.

A kinusaiga fabric landscape of a sunrise over the Cascade mountains with a wildflower meadow, made entirely from quilting cotton tucked into a carved foam board

Not a one-time project

One template. A different piece every time you sit down.

These two came off the same template. The only thing that changed was the cloth: deep berry batiks and dusky florals on the left, bright sunrise golds on the right.

Two kinusaiga landscapes built from the same template, one in deep berry and dusky floral fabrics, the other in bright sunrise golds

Fabric is the pigment in this art form, so the same template gives you a stormy winter sky one weekend and a golden summer one the next. There is no color theory to get wrong. In Hannah's words: flowers don't look around themselves to see if they match. Pick what you love and the piece works.

Your first afternoon

A framed sunrise for your wall

The 9" x 9" Sunrise Over the Cascades, built alongside Hannah step by step and seated in a shadow box. Real wall art, made from cloth, finished in a day.

Every afternoon after

New fabric, new season, new piece

The same template becomes an autumn meadow, a stormy dawn, a piece in a friend's favorite colors. Bonus 02 is a complete second build so you're never wondering what to make next.

Once it clicks

Bigger boards and gifts nobody can buy

The technique is the same at any size, and a handmade fabric landscape is the kind of gift people keep on the wall for years. Quilters: this is what your scrap bin was waiting for.

Meet your instructor

Hannah Austin

Needle OR Thread, in partnership with One Craft at a Time

  • Teaches beginner classes in person at the University of Oregon's Craft Center
  • Picked up kinusaiga herself in 2022, so she teaches it the way she learned it: one small step at a time
  • Mayor's Choice and People's Choice winner, 2023 Eugene Mayor's Art Show

Hi, I'm Hannah, and I'm so glad you're here! I'm the sole artist behind Needle OR Thread. I've run my own art business for seven years, and I first picked up kinusaiga in 2022. Most of the people in my in-person classes have never made a piece of art before, and this course teaches exactly the way those classes do.

Kinusaiga was created by Japanese artisan Setsu Maeno, and I teach it with deep respect for where it comes from. You'll hear me credit Maeno in the very first video. The process I share is my own: my method, my tips and tricks, and the shortcuts I wish someone had shown me on my first board.

If you're worried you're not "artistic," hear me out. The fabric brings the color, the texture, and the pattern. Your job is to choose what you love and tuck it into place, and choosing what you love is a skill you already have. What surprises people most is how early the picture starts to appear. You're maybe four sections in and there it is, a sky.

Hannah Austin holding two of her finished kinusaiga fabric landscapes

What's inside

Five hands-on modules

Plus Hannah's welcome video, her printable 9" x 9" template, and a printable supplies checklist. The template tells you where every line goes, so you never draw anything freehand.

Kinusaiga materials laid out: foam board, precision knife, seam ripper, scissors and fabric

Module 01

Materials, Board Prep, and Your Template

Everything you need and how to set it all up. By the end of this module your board is cut, prepped, and ready to carve.

  • The one-inch foam board Hannah uses, exactly where to find it, and the score-and-snap trick that cuts it to size in seconds
  • Her whole toolkit on one printable checklist: a craft knife, scissors, double-sided adhesive sheets, and the couple-dollar seam ripper that does all the tucking
  • Which fabrics make each section shine (batiks for the sky and mountains, florals for the meadow) and how little of each you need
  • How to mount your printed template so every line is already drawn for you
Practicing kinusaiga cutting and tucking technique on a scrap foam board

Module 02

Learn the Whole Technique on a Scrap Board First

Cutting, tucking, corners, curves, and edges: you practice each one on a throwaway scrap, so by the time you touch your real board, your hands already know the moves.

  • The slow, easy cut that gives you clean grooves every time (the foam is soft, so there's no force involved)
  • Hannah's pinch-and-slide tuck that makes every raw edge disappear into the board
  • Corners, curves, and outside edges, and why the sides don't need to be perfect once it's framed
  • Hannah's quick fixes for the little wobbles every beginner runs into, so nothing is ever ruined
Planning fabric choices for the sky, mountains and meadow sections

Module 03

Choose Your Fabric (the Fun Part)

This is the part that makes the piece yours, and Hannah sits with you while you do it: sky, mountains, and meadow, section by section. There's no color theory to learn.

  • Why batiks make the sky glow, and the difference between mottled and striated batiks so you get the effect you want
  • The light-to-dark mountain layering that creates depth, and Hannah's forced-perspective trick for making the far peaks feel distant
  • How print size fakes distance: tiny florals in back, big blooms in front, and suddenly your meadow looks a mile deep
  • Why Hannah skips color theory entirely (in her words: flowers don't look around themselves to see if they match) and what she does instead
Building the sunrise sky sections from striated batik fabric

Module 04

Build the Sunrise Sky

The sky is two-thirds of this piece, and it's where the striated batiks read as brushstrokes. Hannah cuts and tucks all nine sky sections on camera, from the center glow outward, and you build yours right alongside her.

  • Why Hannah starts at the center of the sky, the focal point that guides the direction and colors of every section around it
  • How to cut through the paper template cleanly so every groove lands exactly on the line
  • The light touch Hannah uses on the narrow sunrise rays, shown up close so you can copy it exactly
  • How Hannah keeps her grooves nearly invisible, the detail that gives kinusaiga its quilted, painted-with-fabric texture
Carving the mountain ridgeline and filling the wildflower meadow with floral prints

Module 05

Mountains and the Wildflower Meadow

The Cascades ridgeline is the most satisfying cut in the piece, and Hannah does it on camera right beside you. After that comes the easiest part: filling your meadow with flowers.

  • How Hannah carves and tucks the ridgeline where the mountains meet the sky, one step at a time
  • Layering gray-blue batiks from light to dark so the Cascades recede behind the glowing sunrise
  • Working with floral prints: which way the pattern faces, and how to put the blooms you love front and center
  • Hannah's final once-over: re-tucking loose edges, smoothing ripples, and snipping stray threads so your piece is frame-ready

Included free today

Two bonuses, $74 of value, yours at no extra cost

01 $37 value · free

Frame It Right

A full video lesson on framing and finishing, taught by Hannah with her finished piece, and why she reaches for a shadow box instead of a ribbon edge.

  • The shadow box that fits this piece (9 inches, with a one-inch internal depth) and how to prep it before your piece slides in
  • Why Hannah removes the glass from every frame she uses, and what that does for the texture you worked so hard to create
  • How to seat your piece snugly, secure the backing, and care for it long-term: keep it out of direct sun and lint-roll it clean
A finished kinusaiga piece being seated into a shadow box frame
02 $37 value · free

Your Second Piece: A Complete Build in a New Colorway

The moment your first piece is on the wall, you'll want to start another. Hannah builds the same template again in a completely different palette, filmed start to finish, so your second piece is ready to go the day you finish the first.

  • A whole second landscape from the same template: same lines, entirely new mood
  • One continuous build from first cut to framed piece: carving, placing, tucking, and framing in order
  • Made for follow-along pacing: pause anywhere, work your step, then press play for the next one
An alternate colorway of the kinusaiga sunrise landscape

The offer

Everything above, for $47

Hannah's one-of-a-kind originals sell for thousands of dollars. This workshop is her complete process, filmed up close and yours to keep. The full price is $97. That is not the price today.

Founding student price: first 100 students

This workshop is brand new, and the first 100 students get in at $47 instead of $97. In exchange we ask two small things: tell us what you think, and when your piece is finished, send us a photo for the student gallery. Once the 100 founding spots are gone, the price goes to $97 and stays there. If this page is still live, the $47 price is still available.

Complete workshop + 2 bonuses

The Paint With Fabric Workshop

Five modules, printable template, lifetime access

$97 $47

One-time purchase · Lifetime access

  • The Complete Paint With Fabric Workshop ($97 value)
  • Hannah's Printable 9" x 9" Template, with her fabric notes (included)
  • Printable Supplies Checklist (included)
  • Bonus 01: Frame It Right ($37, free)
  • Bonus 02: Your Second Piece, a complete second build ($37, free)
  • Lifetime access, at your own pace, no expiry
  • 30-day money-back guarantee
Total value $171 You pay $47
Start Creating Your First Fabric Landscape Secure checkout · Instant access · 30-day guarantee

Lock in the founding price before the first 100 spots are gone.

Secure payment 256-bit SSL 30-day guarantee PayPal · Visa · Mastercard

In their words

What makers say about learning from Hannah

Word-for-word public comments from beginners who learned kinusaiga from Hannah on YouTube.

"I just finished my first piece. I wanted to thank you for creating the video... Thank you so much for taking the time to do all of this!! Your art is beautiful."

@AllisonEastman-q7e4x

"Oh God. This is very dangerous for me. I'm a quilter and this would be an AMAZING use of all the scraps that I have! Oh honey... need some foam!!! Seriously, this is amazing!"

@Esmerelda_Uaine_Morrigannaeth

"My mom and I started doing Kinusaiga because of your videos and we are obsessed. We have now taught 5 or 6 other people and are having so much fun!"

@katiewilkinson3175

"I absolutely love it & I'm excited to try. You are an excellent teacher, easy to understand."

@debbieking3779

Maybe you're thinking...

"That's beautiful, but..."

"I'm not artistic."

You don't need to be. The template supplies the lines and the fabric supplies the color, the texture, and the gradient. Your only job is to choose cloth you like and tuck it into a groove. Nothing is drawn or painted by you.

"I don't want another expensive hobby."

Starting from scratch, the supplies run $25 to $40, and every tool is reused on the next piece. A 9-inch board uses very little cloth, which is why quilters love it: it's the best use for leftover fat quarters you'll find. Module 1 comes with a printable checklist so it's one trip.

"Will mine actually look good?"

Two pieces from the same template in different fabric look like two different paintings, and both look like paintings from across the room. You practice every move on a scrap board in Module 2 before you touch the real one, and Hannah's quick fixes cover the little wobbles every beginner runs into.

"I'm a quilter. Isn't this just applique?"

No needle, no thread, no machine. Quilting and applique join fabric with stitches; this holds it by tucking the edge into a groove, which is why the surface looks pillowed and seamless. Your scrap bin is exactly the fabric it wants.

30
DAYS

30-Day Money Back Guarantee

You don't have to make the final decision now. Get instant access to the full Paint With Fabric Workshop right now and try it out. Watch the videos. Follow along with Module 1. Choose your fabric and carve your first groove. If at any point within 30 days you decide it's not for you, for any reason at all, just send a quick email and you'll receive every penny back within 24 hours. No questions, no awkward conversation. You either love what you create or you get a full refund. That's it.

Questions

Frequently asked

What is kinusaiga, exactly?
Kinusaiga (kee-noo-SYE-gah) is a Japanese fabric art created by artist Setsu Maeno in the 1980s, built on the much older kimekomi tradition. Instead of paint, you use cloth. Shallow grooves get carved into a foam board following a printed template, a piece of fabric is laid over each section, and the raw edges are tucked down into the grooves until they disappear. The result has the depth and gradient of a painting with the soft, quilted texture of fabric. Nothing is sewn, drawn, or painted.
Is this the same thing as quilting or applique?
No. There's no needle, no thread, and no sewing machine anywhere in this. Quilting and applique join fabric with stitches. Kinusaiga holds fabric in place by tucking its edges into carved grooves, which is why the finished surface has that pillowed, seamless look. Quilters do tend to fall hard for it because it uses fabrics they already know well, but you don't need a single day of quilting experience to start.
Do I need any prior art or craft experience?
No experience needed. This course was designed for people who don't consider themselves artists. You don't need to know how to draw, paint, or sew. If you can cut fabric with scissors and tuck it into a groove with the back of a seam ripper, you can do this. Hannah's in-person classes are built for total beginners, and this course teaches the same way: one small step at a time.
When does the course begin? Can I go at my own pace?
The moment your purchase goes through, everything unlocks: all five modules, the welcome video, and both bonuses. It's all pre-recorded, so you can start right now at 2 AM or next Saturday morning, whatever works for your schedule. Watch one module a day or binge the entire thing in one afternoon. There's no schedule to follow and no deadlines to meet.
What materials and supplies do I need?
A one-inch foam board, double-sided adhesive sheets, sharp scissors, a craft knife, and an ordinary seam ripper that costs a couple of dollars. Most craft or hardware stores carry all of it, and Module 1 shows you the exact foam board Hannah buys. Add a 9-inch shadow box if you'd like to frame it. For fabric, quilting cottons and batiks are what you want; a 9-inch piece takes very little cloth, so scraps and fat quarters go a long way. Starting from scratch, most people spend $25 to $40 on supplies, and much less if you already have fabric. There's nothing to memorize: the full supplies list is a printable PDF at the very start of the course.
How big is the finished piece?
The course walks you through Hannah's 9" x 9" Sunrise Over the Cascades landscape, framed in a standard 9-inch shadow box with a one-inch internal depth. She shows you how to prep it, including why she removes the glass. It's real wall art, sized to hang. And the technique itself scales: once you've learned it at this size, the same method works on larger boards whenever you're ready.
Do I need to use the exact same fabric shown in the course?
No, and you probably won't want to. The template lists the fabric types Hannah used, batiks for the sky and mountains and florals for the meadow, so you know what to look for. The palette itself is yours. That's the whole nature of this art form: nobody else has your exact combination of fabric, so nobody else could make your piece.
How long does it take to finish a piece?
Set aside an afternoon for the build, and don't rush the fabric choosing; that's half the fun. Hannah's advice through the whole course is that it's not a race. Some people finish in a day, plenty spread it across a weekend, and you can pause at any point and pick up where you left off.
Is it comfortable to do for an afternoon?
Yes. The motions are light. The board is soft foam, so carving is a slow, easy cut rather than something you force, and tucking is pressing fabric edges in with the back of a seam ripper. There's no hand-sewing and no threading needles. The finished piece is 9" x 9", a small board that sits on the table in front of you, and since everything is pre-recorded, you can stop for a break whenever you like. The camera stays close-up the whole time, so each step is easy to see.
What do I make after the first piece?
Whatever you like, and most people start a second one within the week. The same template gives you a completely different piece every time you change the fabric, and Bonus 02 is a full second build in a new colorway so you're never staring at a blank board wondering where to start. Once the technique clicks, it works exactly the same way on larger boards. Finished pieces make the kind of gift people keep on the wall for years.
Is this a one-time payment?
Yes, $47 once, and that's the end of it. There's no subscription hiding behind it and no 'premium upgrade' waiting on the other side. You pay once and own access to the course and both bonuses permanently.
What if I'm not satisfied with the course?
You're covered by the full 30-day money-back guarantee. If the workshop isn't for you, even if you just change your mind, send one email within 30 days and your refund arrives within 24 hours. Nobody will ask you to explain.
How long do I have access to the course?
Your access never expires. Watch and re-watch every module as many times as you want, whenever you want, for as long as the internet exists. If we ever update or add new content, you get that too at no extra charge.
What format is the course delivered in?
The entire course is video-based, and the camera stays close, so you can see every cut and tuck as Hannah does it, with the repetitive stretches sped up. You also get Hannah's printable 9" x 9" template PDF with her fabric recommendations printed right on it, plus the bonus videos. Everything works on your phone, tablet, or computer.
Is it safe to purchase online?
Your payment runs through a secure, SSL-encrypted checkout with PayPal, Visa, or Mastercard. Your card details are never stored on our servers. It's the same checkout security you get from any major retailer.

One last thing

Ready to make your first fabric landscape?

I remember the first time I saw a kinusaiga piece and thought, "I could never make that." I was wrong, and so are you. It isn't difficult. It's patient, quiet, and absorbing, and at the end of an afternoon you're holding a sunrise you made out of cloth. Let's begin.

Hannah Austin, Needle OR Thread

Founding student price · first 100 students

The Paint With Fabric Workshop

5 modules · Printable template · 2 bonuses · Lifetime access

$97 $47

One-time purchase · Lifetime access

Start Creating Your First Fabric Landscape Secure checkout · Instant access · 30-day guarantee
Secure payment 256-bit SSL 30-day guarantee PayPal · Visa · Mastercard